Charis Caputo
Front Cover: Bayan Kiwan. Lesser Legible Love, 2023. Oil on canvas draped in tulle; 44 × 35.8 in. I grew up in many different places, so belonging was always fraught,” says Bayan Kiwan. She hands me a bottle of coconut water. A weak but hopeful December light pours through the
VOLUME 2: ISSUE 4
WINTER 2024
- Crit
Old Westbury Gardens, Smoggy Afternoon, by the author. The biggest book I own is the Norton Shakespeare, Second Edition. It’s all the plays, annotated: 3,600 pages. Lately I’ve used it to prop up my computer, to enable a more flattering angle on Zoom calls. In the fall of 2020, I
VOLUME 2: ISSUE 4
WINTER 2024
Donna the chimp. Photo by Victoria Horner. Donna is a biologically female chimpanzee who exhibits many traits associated with her male counterparts; she likes to wrestle, walks with a “swagger,” and can erect her body hair. In Different: Gender Through the Eyes of a Primatologist, Frans de Waal describes Donna
VOLUME 1: ISSUE 4
FALL 2022
On the cover: “Audre” Elise Peterson’s digital collages are casually electrifying. “Audre,” on the cover, evokes Lorde’s distinct feminism by juxtaposing cozy intimacy and radical commitments. The last page of LIBER features Grace Jones circa 1985 perfectly balanced within Matisse’s La Danse (1909), effortlessly central. A writer, children’s book illustrator,
VOLUME 1: ISSUE 1
MARCH/APRIL 2022
“March for Women’s Lives — Washington D.C.” Twenty years ago, the US Supreme Court was poised to consider Planned Parenthood of Southeastern PA v. Casey, and abortion rights advocates feared that the newly minted conservative majority would endorse a slew of restrictions (like parental consent and waiting periods) or even
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MAY/JUNE 2022
FRONT COVER: Cecily Brown. All Is Vanity (after Gilbert), 2006. Monotype; 47 1/4 × 36 7/8 in. Private collection, courtesy Two Palms, New York. © Cecily Brown. LATELY WHEN I look in the mirror, I see death. Or rather, I see the signs of creeping middle age—the widening part of
VOLUME 2: ISSUE 2
SUMMER 2023
On the cover: Machine Dazzle, Times Square, 2008 By Eileen Keane Machine Dazzle (née Matthew Flower, b. 1972) is performance artist and self-taught costume designer known for his wild inventions and for whom street is stage. Elissa Auther, who curated Queer Maximalism x Machine Dazzle, on view through February 2023
VOLUME 1: ISSUE 5
WINTER 2022
On the cover: “Matisse’s Model (The French Collection, Part1: #5), 1991 by Faith Ringgold Matisse’s Model (The French Collection, Part 1: #5), 1991 By Faith Ringgold Acrylic on canvas, printed and tie-dyed pieced fabric, and ink Courtesy of the Baltimore Museum of Art. Frederick R. Weisman Contemporary Art Acquisitions Endowment.
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JULY/AUGUST 2022
- Crit
Sam Levy, Double Figure, 64″ x 47″, Charcoal on Paper, 2021. I wonder if there might not be . . . another human essence than self. —Anne Carson, “The Gender of Sound” ONE OF THE earliest books I can remember reading was a yellowed collection of children’s prayers, possibly something
VOLUME 2: ISSUE 1
SPRING 2023
- Redux
Edgar Degas, Dancer Looking at the Sole of Her Right Foot, c. 1910, bronze. Degas made at least four variations of this sculpture; this version, made with plasteline and cast posthumously, is most likely the one for which Pauline posed. Courtesy of Tate. IN 1899, ONE Amélie Lang, eighteen, was
VOLUME 2: ISSUE 2
SUMMER 2023