The artist at her exhibition Tracey Emin “My Bed’”/JMW Turner at Turner Contemporary, 2017 2018. Photo by Stephen White; courtesy Turner Contemporary.
My in-laws live in the north of England. Their modest semi-detached home is decorated tastefully with trinkets from their world travels, family photos, and a few replicas of notable artworks. I love the juxtaposition of viewpoints when I’m in their house. Inside, my eyes bounce from the Mondrian-inspired glass door, a miniature painting of Robert Indiana’s LOVE sculpture, an eerie Salvador Dalí print. Outside, sheep fields unfurl for miles and the sheep . . .
Subscriber Access Required
This article is available to paid subscribers with digital access.
- Already a subscriber with digital access? Log in here to read the full article.
- Not yet subscribed? Subscribe now for full digital access to all articles and downloadable PDFs.
- Prefer a one-time purchase? Click the “Purchase PDF” button above.
- Institutional user? Recommend LIBER to your institution's library for unlimited access.