The artist at her exhibition Tracey Emin “My Bed’”/JMW Turner at Turner Contemporary, 2017 2018. Photo by Stephen White; courtesy Turner Contemporary.
My in-laws live in the north of England. Their modest semi-detached home is decorated tastefully with trinkets from their world travels, family photos, and a few replicas of notable artworks. I love the juxtaposition of viewpoints when I’m in their house. Inside, my eyes bounce from the Mondrian-inspired glass door, a miniature painting of Robert Indiana’s LOVE sculpture, an eerie Salvador Dalí print. Outside, sheep fields unfurl for miles and the sheep . . .
RESTRICTED CONTENT
Tbis content is restricted to paid subscribers with digital access only.
Non-subscribers may purchase a PDF of this article by clicking the "Purchase PDF" button, above.
Current subscribers with digital access: Login here to access content.
Institutional users, find out how your institution or organization can sign up for access to LIBER's content.
Not a subscriber? Subscribe now to instantly unlock all of LIBER's online content and downloadable PDFs!
