Charis Caputo is the senior editor of LIBER. She lives in Queens, New York.
On the cover: “Matisse’s Model (The French Collection, Part1: #5), 1991 by Faith Ringgold Matisse’s Model (The French Collection, Part 1: #5), 1991 By Faith Ringgold Acrylic on canvas, printed and tie-dyed pieced fabric, and ink Courtesy of the Baltimore Museum of Art. Frederick R. Weisman Contemporary Art Acquisitions Endowment.
VOLUME 1: ISSUE 3
JULY/AUGUST 2022
Sam Levy, Double Figure, 64″ x 47″, Charcoal on Paper, 2021. I wonder if there might not be . . . another human essence than self. —Anne Carson, “The Gender of Sound” ONE OF THE earliest books I can remember reading was a yellowed collection of children’s prayers, possibly something
VOLUME 2: ISSUE 1
SPRING 2023
Edgar Degas, Dancer Looking at the Sole of Her Right Foot, c. 1910, bronze. Degas made at least four variations of this sculpture; this version, made with plasteline and cast posthumously, is most likely the one for which Pauline posed. Courtesy of Tate. IN 1899, ONE Amélie Lang, eighteen, was
VOLUME 2: ISSUE 2
SUMMER 2023
A still from Thelma & Louise (1991), the first road trip movie with women at the wheel. In the summer of 2021, in those halcyon months between vaccination and the Delta wave, I drove from New York to Los Angeles with my friend Julie. I had barely driven since high
VOLUME 1: ISSUE 1
MARCH/APRIL 2022
SOFT SKULL PRESS, JULY 2022, 320 PP. FIFTY PAGES INTO Elvia Wilk’s new essay collection, Death by Landscape, I did something kind of weird: I contacted Elvia Wilk on Instagram. I told her I was reading the book and intended to review it, and I tried to express how it
VOLUME 1: ISSUE 3
JULY/AUGUST 2022