Whitney Museum of American Art, September 2024, 388 pp. If youāve seen any photographs of the choreographer Alvin Ailey (1931ā89), it is quite likely that one of them was by Jack Mitchell, whose archive of Ailey photography (now at the Smithsonianās National Museum of African American History and Culture) includes
VOLUME 3: ISSUE 2
WINTER 2025
Alexey Brodovitch. The Sylphs (Les Sylphides), 1935ā37. Art Institute of Chicago. Purchased with funds provided by Karen and Jim Frank. Image courtesy of Art Institute of Chicago / Art Resource, NY. In the go-go 1980s, the last decade when print magazines in the US rode high, the last decade before
VOLUME 3: ISSUE 1
SUMMER 2024
Graham and Ted Shawn in Shawnās duet, MalaguenĢa, 1921. Photograph by Albert Witzel. Jerome Robbins Dance Division, the New York Public Library. Martha Graham (1894ā1991), whose dancesāand the evolving technique for how to perform themādramatically upended what audiences expected from theatrical dancing, did not identify as a choreographer. She was
VOLUME 2: ISSUE 4
WINTER 2024
OXFORD UNIVERSITY PRESS, APRIL 2022, 688 PP.Bronislava Nijinska and Valslav Nijinsky in L’AprĆØs-midi d’un faune, 1912. BRONISLAVA NIJINSKA (1891-1972) first made her mark as the kid sister and muse of the famous dancer and choreographer Vaslav Nijinsky. Nijinsky, the āGod of Dance,ā was a troubled geniusāÆhis original works include some
VOLUME 1: ISSUE 3
JULY/AUGUST 2022
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